media.comm.ieu.edu.tr
Course Name | |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
Spring |
Prerequisites | None | |||||
Course Language | ||||||
Course Type | Required | |||||
Course Level | - | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | |
Learning Outcomes | The students who succeeded in this course;
|
Course Description |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction to course | A.Briggs & P. Burke (2005) A social history of the media: from Gutenberg to the Internet. 2nd edition Cambridge: Polity Press.J. Chapman (2006) Comparative Media History. Cambridge: Polity Press.L. Gorman and D. McLean (2003) Media and Society in the Twentieth Century Oxford: Blackewell.J. Man (2002) The Gutenberg Revolution. London: Hodder Headline.M. McLuhan (1973) Understanding Media: The Extensions of Man. London: Sphere Book |
2 | Communication Before Writing | H. Innis ‘Media in Ancient Empires’ M. Ascher and R. Ascher ‘Civilization without Writing’ |
3 | Writing Begins ; Communication in the Middle Ages | Robinson ‘The Origins of Writing’. R.K. Logan ‘Writing and the Alphabet Effect’ ; J. Burke ‘Communication in the Middle Ages’ U. Eco ‘A Medieval Library’ |
4 | The Print Revolution | T.F. Carter ‘Paper and Block Printing From China to Europe’L. Mumford ‘The Invention of Printing’ |
5 | Midterm I | |
6 | The Reading Society ; The Rise of Journalism | E. Eisenstein ‘The Rise of the Reading Public’ H.J. Graff ‘Early Modern Literacies’ ; J.B. Thompson ‘The Trade in News’ M. Schudson ‘The New Journalism’ |
7 | Electricity and Telecommunication | T. Standage ‘The Victorian Internet’ C.S. Fischer ‘The Telephone Takes Command’. |
8 | Photography and the Visual Era | S. Sontag “On Photography”. U. Kellner “Early Photojournalism |
9 | Cinema | J. Fowles ‘Mass Media and the Star System’ S. Eyman ‘Movies Talk’ |
10 | Film screening | |
11 | Midterm II | |
12 | Radio Days | S.J. Douglas ‘Early Radio’ M. McLuhan ‘Understanding Radio’ |
13 | The TV | W. Body ‘Television Begins’ E. Carpenter ‘The New Languages’ |
14 | IT and the New Media | J. Beniger ‘The Control Revolution’ R.S. Cowen ‘The Social Shape of Electronics’ |
15 | Summary and Evaluation of the course | |
16 | Summary and Evaluation of the course |
Course Notes/Textbooks | Crowley, D., and P. Heyer (editors). Communication in History: Technology, Culture, Society, Boston: Pearson A and B. (any edition) |
Suggested Readings/Materials | Fictive and documentary films screened in the classes. |
Semester Activities | Number | Weigthing |
Participation | ||
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | - | - |
Presentation / Jury | ||
Project | 1 | 60 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 1 | 40 |
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 65 | |
Weighting of End-of-Semester Activities on the Final Grade | 35 | |
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | 16 | 3 | |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | - | 14 | |
Presentation / Jury | |||
Project | 1 | ||
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 2 | 18 | |
Final Exams | 24 | ||
Total | 132 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to critically discuss and interpret the theories, concepts and ideas that form the basis of media and communication discipline. | X | ||||
2 | To have the fundamental knowledge and ability to use the technical equipment and software programs required by the mediaproduction process. | |||||
3 | To be able to use the acquired theoretical knowledge in practice. | |||||
4 | To be able to critically interpret theoretical debates concerning the relations between the forms, agents, and factors that play a role in the field of media and communication. | X | ||||
5 | To be able to critically discuss and draw on theories, concepts and ideas that form the basis of other disciplines complementing the field of media and communication studies. | X | ||||
6 | To be informed about national, regional, and global issues and problems; to be able to generate problemsolving methods depending on the quality of evidence and research, and to acquire the ability to report those methods to the public. | |||||
7 | To be able to gather, scrutinize and use with scientific methods the necessary data to for the processes of production and distribution. | |||||
8 | To be able to use and develop the acquired knowledge and skills in a lifelong process towards personal and social goals. | X | ||||
9 | To be able to follow developments in new technologies of media and communication, as well as new methods of production, new media industries, and new theories; and to be able to communicate with international colleagues in a foreign language. (“European Language Portfolio Global Scale,” Level B1) | |||||
10 | To be able to use a second foreign language at the intermediate level. | |||||
11 | To be able to use computer software required by the discipline and to possess advancedlevel computing and IT skills. (“European Computer Driving Licence”, Advanced Level) |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest